Score PDF

I collaborated with my good friend and clarinet player Emily Beisel on this piece. After about a year of playing together we became fascinated with the various compound sounds we could make between the double bass and bass clarinet. We wanted to write something that coupled this fascination with that of the pulse in popular music (death metal in particular). How far can you push a pulse until it is not a pulse? Recorded at the Experimental Sound Studio with Emily Beisel [bass clarinet], Eli Namay [double bass] & Tyler Berg [drum kit].