photo credit: George Lee c. winter 2017

photo credit: George Lee c. winter 2017

Eli has been working to develop a musical practice that is informed by critical theory and political activism. Artistically, he is particularly focused on how cultural and economic symbols mediate social relations (ideology, social reproduction, etc). Eli is interested in exploring ways economic and ideological influences on music might be disrupted artistically, thus creating a genuinely creative practice that is emotionally healing for both the listener and practitioner. This has led him to an interest in non/pan-idiomatic improvisation, experimental notation that gives rise to a multiplicity of outcomes, and the use of liminal perceptual frameworks.

Eli lives in Chicago where he performs on and teaches both the electric and double bass, regularly collaborating with folks from Chicago’s Folk, Jazz, Improvised Music, and New Music communities. He also teaches guitar, piano, drums, and voice. Eli holds a performance degree from Columbia College Chicago where he studied upright and electric bass with Chuck Webb, and  Dan Anderson, and piano, composition, and improvisation with Dennis Luxion,          among others. He has also studied double bass with Anton Hatwich, and Greg Sarchet of the Lyric Opera.

Understanding that it is the critically minded artist's responsibility to connect their artistic practice concretely to political struggle, Eli also engages in work with Chicago's rich plethora of activist communities and has been working towards contributing to the development and dissemination of a critical theory that serves as an adequate and practical analytical tool. Specifically this has meant exploring the idea that socioeconomic ills – ranging  from ideology, to political economy, to the multitudes of activist organizing issues – stem from a lack of epistemological reflection: i.e. representations, such as money and identity, are mistaken for concrete reality. He is a party member of Socialist Alternative / Committee for a Workers International, and the Industrial Workers of the World.

Some of Eli’s frequent collaborators both past and present include: Ishmael Ali, Luis Fernando Amaya, Jessica Aszodi, Emily Beisel, Jim Baker, Can I Get an Amen, Carol Genetti, Zachary Good, Alex Grimes, Gerrit Hatcher, Anton Hatwich, Bill Harris, Jeff Kimmel, Chris Kimmons, Lia Kohl, Old Lazarus’ Harp, Peter Maunu, John McCowen, Nick Meryhew, Ryan Packard, Phil Sudderberg, Katherine Young, and Bethany Younge.

Sound Mass